Marvel comics of 1992. Jim Starlin’s Infinity Gauntlet sequel… Infinity War!
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[Read more…] about 1992 Pt. 3: Infinity War Event (w/ guest Charlotte Fierro)!
Reading Order Guide For Beginners & Fans
Marvel comics of 1992. Jim Starlin’s Infinity Gauntlet sequel… Infinity War!
Podcast: Play in new window | Download
Subscribe: Apple Podcasts | Spotify | RSS
[Read more…] about 1992 Pt. 3: Infinity War Event (w/ guest Charlotte Fierro)!
Comic books are a medium defined by constant evolution, by stories that are told and retold over the decades for new generations of readers. But how does a writer build on a story after it grows so popular, it becomes mythic? How do you redefine an icon?
To many, Superman is the face of American comic books, a character so timeless and iconic that his legacy can be felt through a single page. The character has undergone plenty of changes in his 83-year history, moving from a champion of the people to a wholesome all-ages hero to a conflicted but ultimately incorruptible figure. But by the early 2000’s, DC Comics was looking to redefine the character again, replacing the origin told in John Byrne’s classic Man of Steel series and finally bringing Superman into the 21st century. This new take on the character would arrive in the 2003 miniseries Superman: Birthright
, created by writer Mark Waid along with artists Lenil Francis Yu, Gerry Alanguilan, and Dave McCaig. While the 12-issue miniseries celebrates and modernizes a number of points from the Man of Steel’s history, Waid and his team also used Birthright to redefine the character of Superman; examining his identity in a new, more cynical era, and how it shapes him, his chosen family, and eventually the world at large.
You can watch the full video retrospective on the series here: [Read more…] about SUPERMAN: BIRTHRIGHT – The Man of Steel, Redefined
The Other History of the DC Universe is an interesting little project. Part social history, part love letter, part fanfiction – and I don’t mean that derisively. One of the strongest (and depending on who you ask, most problematic) aspects of fan fiction as a medium is the tendency to obsess over the moments where canonical works might cut away. Sometimes this tendency can produce some eye-rolling moments, but the same all encompassing love that inspires someone to write about what Sulu was doing while Kirk and Spock were down on Talos IV, is dripping from every issue of this series. If you pick up nothing else from reading this series it’s that John Ridley absolutely loves DC Comics. [Read more…] about The Other History of the DC Universe Review!
Peter David’s work on X-Force is one of those rare books where it’s easier to explain the plot than it is why the book exists in the first place. Where Claremont and Davis’ Excalibur is something of a superhero and fantasy farce, David’s X-Force is a satire of the X-Books themselves. This omnibus is focused right at the 90s era mutant craze while being published right alongside the books it was subtly commenting on.
It debuted the same year as Deadpool and Weapon-X and within months of Lobo, Deathstroke the Terminator, and Shade the Changing Man getting solo titles. Yet X-Factor adds nothing to the Dark Era or its complexities.
These collected issues also existed near the very height of the speculator boom, and yet it doesn’t fall in line much with the Scott Lobdell, Fabian Nicieza, and Ann Nocenti money train. In fact, David would quit the series two times in three decades with one of them being over event books.

By rights, this should be the least impactful X-Book since The X-Terminators (no one remembers that book. And if you do, for god’s sake stop.) And yet, David’s work paved the way for everything from Peter Milligan and Mike Allred’s fantastically subversive X-Force/X-Statix series to Jonathan Hickman’s HoX/PoX. And furthermore, I’d say that the future of the X-Men will learn more from this series than Fatal Attractions.
Let’s dig through X-Factor by Peter David Omnibus vol. 1 to find out more. [Read more…] about Room for Outsiders | X-Factor by Peter David Omnibus Vol. 1

Somewhat like Marauders, Tini Howard and Marcus To’s Excalibur reinvents a familiar X-franchise name, though in this case the new Excalibur retains strong ties to the beloved classic team of the 1980s. Their base will still be the Lighthouse, and their leader remains Captain Britain—and a Braddock—but their roster is otherwise entirely different. Missing, too, is Claremont and Alan Davis’ signature gonzo satire on the title, but Omniversal Majestrix Opal Luna Saturnyne will see her grandest showing yet, while the Braddocks, Pete Wisdom, and Merlyn and Roma play increasingly prominent supporting roles as the series continues. In fact, as a hub or nexus of the multiverse, Otherworld will be far more prominent in the new series—and so will its province of Avalon.
[Read more…] about (Re)Read Hickman’s X-Men: The Sword Is Drawn – 2019’s Excalibur #1