For modern fans of Deadman, the character will likely be best known as a melancholy spirit with a penchant for teaming up with Batman to assist in solving mysteries that the Dark Knight can’t handle alone. The Deadman Omnibus
Many of the greatest creators of the time worked on these Deadman stories, including Len Wein, Neal Adams, Jose Luis Garcia-Lopez, Keith Giffen, and many more, via this somewhat scattered handful of appearances. Deadman’s popularity for the time is unquestionable considering how often he showed up, but it still took all the way until the mid-eighties for him to land his own mini-series, and his appearances have become increasingly sparse over time. This omnibus will be good for fans of the character, but it will also collect a smattering of tales that otherwise could easily fall under the radar even for longtime comic readers. [Read more…] about Deadman Omnibus Review!
is a DC Black Label book by writer/artist Daniel Warren Johnson, Mike Spicer, and Rus Wooton, and it’s a weird comic book. The premise is very straight forward: Princess Diana of Themyscira wakes up in a post-apocalyptic wasteland and has to uncover the mystery of what went wrong and protect the remains of humanity. On the surface, the hook isn’t really all that different from Scott Snyder and Greg Capullo’s 
is the defining superhero film, sparking the mainstream big budget era of comic book films that would eventually be shepherded into continual success by the likes of Tim Burton’s Batman and Sam Raimi’s Spider-Man. But Donner’s film is more than just a pillar of a subgenre, it’s a masterpiece in its own right, interlinking the romantic charm of bygone Hollywood with the modern era of blockbuster spectacle. Promising to make its audiences believe that a man can fly but giving them a story that’s more layered, charming, and human than what its central concept would have you believe.
is perhaps Moore’s only major work that’s bad for the boring reasons most other comics are. It’s bad because it lacks ambition to be anything other than a story about Batman and the Joker. It’s bad because it treats Barbara Gordon more like a prop than a character. It’s bad because the environment it came out of was toxic to the point where Alan was explicitly told to “Cripple the b*#ch.”
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during DC’s