A Comic Book Reading Order Guide For Beginners & Fans
So, we’re narrowing in on what’s already a wealth of material, paring down from 30+ issues with the tie-ins to appreciate the core of this epic story and its most integral side stories, while appreciating the nuances of character, theme and continuity that each storyteller brings to this apocalyptic barnstormer.
[Jack Kirby cover art; Vince Colletta inking Thor #155; Joe Sinnott inking Fantastic Four Annual #6]
If you missed our 1968 entry on The Silver Surfer and Captain Marvel solo series, check it out!
As a Marvel Cosmic menace and a classic instance of pulp cosmic-horror, Annihilus is fairly unique. Occasionally approaching the threat level of Thanos, the dire bug lord can be just as existentially terrifying to sentients everywhere, especially in 2006’s Annihilation, but he’s as much cosmically powerful warlord as insect horror trope—both spaces that, of course, the much more well-known Brood occupy successfully. Still, while the Brood’s depictions have often played both aspects to the hilt, Annihilus’ storytellers generally haven’t emphasized the horror of his being, whether that’s the alienness of his biology or his motivations (the clearest exceptions here being Keith Giffen, Dan Abnett and Andy Lanning in the Annihilation event and Jonathan Hickman in his Fantastic Four run 12 years ago). The guy’s got a lot of untapped potential when it comes to skin-crawling thrills and chills.
Mangog is perhaps more horrifying for appearing so bizarre, chimeric almost, and mindlessly brutal—and properly mammoth. He’s also simply much more cosmic horror than particularly cosmic, beyond, that is, his origin; here, too, there’s still untapped potential in Mangog’s status as a cosmic player. Since his debut, the fullest realization of this alien monstrosity’s brutal terror and the most impressive battle against him are to be found in the epic story arc that is the beginning of the end to Jason Aaron’s spectacular Thor run (see The Mighty Thor #700-705, recently followed up on, rather underwhelmingly, in the current Thor title from Donny Cates). Of course, there’s very little prior competition even his original story is deeply flawed in its resolution, as was so common in the Silver Age, with a lame and quite literal deus ex machina (However, it’s been 20 years since I read Dan Jurgens’ 2000 Mangog/Thanos* epic in Thor vol 2 #20-25, which probably still holds up for some quick fun, but it’s not going to have the pathos or intensity of Aaron, Russell Dauterman and Matthew Wilson; *it’s really just a Thanos clone, though, so…).
The clear challenge with nemeses like these is that rolling them out onstage means the stakes must be high, apocalyptically dire; otherwise, they should be offstage or they lose the edge to their terror—though why not have a one-off, fun and cruelty-free version of these two brutes in something like a Squirrel Girl Beats Up Marvel Cosmic or Gwenpool Gone Space Merc?
It is often said that Watchmen
As part of this ongoing series on Watchmen, other critics have covered rights issues, backstage business, and DC’s treatment of Alan Moore in far more depth and detail than I could ever hope to, so I’ll leave that side of Watchmen with them. It’s all somewhat cursed and always will be, which at this point feels almost as important as the creative work itself was on release. Yet for me, the most prominent “curse of Watchmen” within the comics industry has been the insistence on never letting Moore move on from a comic he disowned decades and decades ago. [Read more…] about Who Watched the Watchmen? Venom by Donny Cates & Ryan Stegman
[covers by John Buscema & Joe Sinnott]
If you missed our 1967 entry, check it out! You can link back to previous entries there, as well.
Probably Marvel’s second-best cosmic-themed adventure of 1968 (after the debut of the fearsome Mangog in Thor; next time) was the return of Galactus in Fantastic Four #74-77. Of course, that’s no endorsement for how everyone treats Sue Richards there; also, the story itself doesn’t make a heck of a lot of sense and anyhow, it doesn’t push the envelope on Marvel Cosmic—although these issues are a visual wonder. Kirby takes flight with the Silver Surfer, especially as he escapes to the Microverse to avoid Galactus, who’s come back to Earth to beg for the return of his Herald. The Microverse’s Psycho-Man, recently introduced in Fantastic Four Annual #5, also appears. This unusually decompressed arc is also noteworthy for being Kirby’s farewell to one of his favorite creations, as the Surfer’s adventures continue in his own solo book, which was Stan’s full appropriation of the character for his own ideas—read: heavy soapboxing—while bringing aboard wonderful artist John Buscema whose art, however elegant, never popped and shattered banal reality/received aesthetics like that wondrous weird Kirby crackle. Of course, few artists have ever matched the King; further, as with any sensible up-and-coming artist, Buscema’s work ethic was about fulfilling his role to the utmost without causing trouble with the boss. We’ll return to this below in our entry on the first few extra-sized issues of The Silver Surfer title.
[Read more…] about The Evolution of Marvel Cosmic, Part 6: Cosmic Franchise, 1968
[Fantastic Four art by Jack Kirby (p), Joe Sinnott (i), Stan Goldberg (c), Sam Rosen and Artie Simek (l)]
For our last entry, see here for a Kirby Thor extravaganza—in another galaxy!
The strangest thing about Jack Kirby’s legendary 102-issue run on Fantastic Four isn’t any of his creations, which are of course mostly wonderfully bizarre and, well, wondrous—it’s that his raw creative energy peaked when both the series and his art were just fully coming into their own; both had started to kick into gear once the Inhumans were introduced (issue #44), but while things had already been going strong for a year or so previously, the storytelling really began to struggle to keep pace with the frenetic Kirby crackle (evidenced especially in the transition from the Inhumans to Galactus storylines, with both ending up frustratingly hyper-compressed and truncated). Of course, much of this was simply the tension between punishing deadlines and Jack’s urge to keep shaking it up every month, creatively. [Read more…] about The Evolution of Marvel Cosmic, Part 5: Cosmic Embiggening Silver Age-Style, 1967