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The 10 Best European Comics!

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Corto Maltese

Writer/Artist: Hugo Pratt

Corto Maltese was Indiana Jones and Han Solo before Harrison Ford was even invented. He’s Lupin III and Spike Spiegel and yes, even Carmen Sandiego. The character and his title are true classics, capturing and even defining not just a style, but the entire tradition of “action books.”

So it’s hilariously perfect that he shows up late to his own book for the same reason Star Wars doesn’t start at the Cantina.

Instead, it begins with a hilarious ruse. We start with an eighteen-year-old Serbian deserter named Rasputin, a boy having faced such hardship that only the internationally renowned adventurer, scoundrel, and bon vivant Maltese can help—a man so famous, it takes real-world literary master Jack London to bring the two together.

This is a bit like saying that if you want Spider-Man’s help, you have to go through Hemingway first.

The Corto Maltese books feel somehow both dated and contemporary. The tropes they invented are still very much in use, and Pratt’s style can still be seen in Moebius, Paul Pope, and more manga than I can count. It’s also behind the creation of Benedict Cumberbatch. [Read more…] about The 10 Best European Comics!

Thunderstrike Reading Order!

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What do you get when you cross the Thor mythos with grunge aesthetics? You get Thunderstrike, a new Thor variant made by the 90s, for the 90s. A beefier hero who traded his classic hammer in for an Asgardian mace. It’s a classic epic of a leather jacket fighting other, larger leather jackets.

First introduced as a side character in the pages of Thor, Eric Masterson quickly became the Thunder God’s new human alter ego (yes, the title was still doing the secret identity thing by the late 80s if you can believe it), before forging himself a new identity as Thunderstrike.

Created by Tom DeFalco and Ron Frenz in 1988, Eric Masterson is a rare example of a Marvel hero who not only has a clear beginning and end to his story, but has also maintained a pretty consistent creative team throughout his comic book history (with DeFalco writing virtually all of his comics, and Frenz drawing most of them). In 2011, more than a decade after Thunderstrike’s death, the duo even came back to continue Eric Masterson’s legacy in the form of his teenage son Kevin, who inherits his father’s mace and becomes the new Thunderstrike (still active today, as of his last cameo apparition in the pages of Annihilation Scourge: Omega). [Read more…] about Thunderstrike Reading Order!

When Captain America Quits: The History and Meaning of a Super Soldier’s Protest

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For generations, Steve Rogers, and several others, have stood as an example of an American ideal, charging into battle decked out in the red, white, and blue.

And when Joe Simon and Jack Kirby created Captain America in 1941, it was to be as a symbol of America’s best qualities in the face of Hitler’s expanding Nazi empire, even before the United States became officially involved in World War II. But to have a character draped in the colors of a nation is to permanently tie that hero to the real world. In a time when the United States fought against true evil, it was easy for the morals and message of Captain America to be clear cut and inspirational. But what happens when that character is pulled into the modern era and a time of grey morality and murky politics? [Read more…] about When Captain America Quits: The History and Meaning of a Super Soldier’s Protest

The Old 52: Playing God in Wonder Woman

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He didn’t even want the book, but to hear him tell it, Brian Azzarello saved the Wonder Woman New 52 series. In an interview with Boom Studios CEO, Ross Richie, Azzarello explained that he only took the Wonder Woman title because he was “appalled” at what DC was going to do with the character for the reboot. Azzarello recalls being at a dinner with DC publisher Dan Didio, where they discussed his plans for a different New 52 series. When Didio told Azzarello DC’s plans for Wonder Woman, which Azzarello thought would have “fundamentally hurt that character,” Azzarello spent the rest of that dinner coming up with a brand new pitch for the series that eventually became the Wonder Woman we got ten years ago.

At its core, this Wonder Woman series was a family drama. It worked because the creative team made the family a central part of the story. In fact, Wonder Woman doesn’t even show up until ten pages into the first issue because Azzarello and artist Cliff Chiang devoted that space to the conflict surrounding a few important family members: Zola, a mortal impregnated by Zeus, and Sun, a god whose powers include clairvoyance. Aside from Orion, there weren’t any major characters in the series’ first 24 issues that weren’t part of the family. [Read more…] about The Old 52: Playing God in Wonder Woman

Creannotators #42: “Living Heroes” Interview With Writer Stephanie Williams!

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This week on Creannotators, I talk with Stephanie Williams about “Living Heroes,” “But What If Tho,” and her comics career. We talk the humor in superhero universes, Stephanie’s excellent coverage of the MCU on Disney+, her Monica Rambeau story in Marvel Voices: Legacy, and much more!

On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

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[Read more…] about Creannotators #42: “Living Heroes” Interview With Writer Stephanie Williams!