X-Force #6, 9 & 10.
[While Dustin Weaver and Edgard Delgado are still on cover duty, issue #6 is drawn by Stephen Segovia and #9-10 by Josh Cassara; interior coloring is by Guru-eFX and Dean White]
(*This follows Part 1 from last month.)
Related:
A Comic Book Reading Order Guide For Beginners & Fans
X-Force #6, 9 & 10.
[While Dustin Weaver and Edgard Delgado are still on cover duty, issue #6 is drawn by Stephen Segovia and #9-10 by Josh Cassara; interior coloring is by Guru-eFX and Dean White]
(*This follows Part 1 from last month.)
Related:
Wrapping with Inferno #4, Hickman’s X-Men has drawn to a close, yet the Krakoa era has only just begun. New stories are kicking off and away from the central premise introduced in HoXPox, ushering in another chapter of X-History. There are many important elements of this run to discuss, which is a major reason why it has been widely reviewed and commented on by critics both within comics and in the larger entertainment sphere. From the resurrection protocols to Moira X to Nimrod and the Omega Sentinels, Dawn of X and then Reign of X hit the ground running and the X-Titles are showing no signs of slowing down.
One monumentally important element of the era has been bringing the villain Destiny back and reinstating her importance in both the franchise and Mystique’s life. While decades of subtext, film franchises, editorial mandates, and death have kept them apart, this run effectively brought the pair to the forefront as a couple for the first time in ways that could never have happened before. Among the many things this era has given its readers, perhaps no gift has been so sweet as the reunion between these two murder wives and the long-awaited continuation of their beautiful love story, all while pitting them against Moira X, Xavier, Magneto, and others.
Discussing elements of House of X/Powers of X, X-Men Vol. 5 #1-21, and Inferno #1-4 [Read more…] about I Have Awoken in a World that is Upside Down: Mystique & Destiny in Inferno
With the oversized concluding chapter of the four-part Inferno out Wednesday January 5, the Hickman era of X-Men has now ended—and what a stunning conclusion it was, with Hickman and a stellar team of artists managing to shock and satisfy in equal measure. Here we’ll look back at Hickman’s tenure as a whole, both as storyteller and as architect, to assess the revitalized line’s achievements—and its flaws—and above all, to recap the three radical changes inaugurated with the 2019 paradigm shift and how those big swings themselves have developed or even changed course since.
After a brief intro, I’ll run through: Hickman’s three core innovations to the franchise and then, having heaped much justified praise upon the man, we’ll look at the many things we didn’t get to see, and the very few that didn’t really work. The last stop is a brief look at what the end of Inferno #4 has promised us in no uncertain terms, as well as the architect’s own promise to all who have come to call Krakoa home—fan and creator alike.
Here at the start, though, I’ll include one of my favorite moments from Inferno #4, Emma’s moment—this is just so brilliantly earned:
[Read more…] about Always Additive: A Retrospective of Hickman’s Tenure as Architect of Krakoa
I often say I don’t care about Wolverine, but that’s not really true.
There are Wolverines that I love. This includes the one named Laura, the James Howlett one who loves Hercules, and the ones in fanfiction and fanart who are various kinds of queer. Sometimes, I also love ones named Logan who appear in licensed comics, cartoons, and films. The Wolverines that I love challenge stereotypes related to masculinity and violence and the supposed inseparability of the two. These Wolverines struggle, heroically, against what a bad world wants them to be or else don’t give a fuck about stereotypes, because they’ve seen it all and know who they are.
Then there are Wolverines I don’t love. This includes the ones mired in white savior tropes and cultural appropriation and especially the ones who uncritically glorify violence, graphically murdering untold scores of people who are usually bad people but still, nonetheless, people. These Wolverines never change yet always demand forgiveness through their enduring popularity and the seemingly boundless acceptance of their less-murderous friends.
But despite knowing which Wolverines I love and don’t love, I frequently struggle to decide how I feel about specific stories starring Wolverine. Take the first four issues of the recent X-Men Unlimited Infinity Comic, written by outgoing X-Men franchise impresario Jonathan Hickman with art by Declan Shalvey. [Read more…] about Choosing Violence: The Complexity of Loving Wolverine
With stories like Swamp Thing, Justice League Dark, The Many Deaths of Laila Starr, and These Savage Shores, Ram V is rapidly gaining public acclaim and acknowledgement for his talent and ability to craft stories with a beautiful poetic quality. Catwoman: Vol. 5: Valley of the Shadow of Death continues that winning streak with multiple standout issues. Unfortunately, Ram V has to accomplish a lot of story in a very small amount of space, and by dedicating so much time to multiple standout single issues, he runs out of space and is forced to rush the ending.
Valley of the Shadow of Death is an essential companion to James Tynion IV’s Batman run. Plot threads from Batman Vol. 1: Their Dark Designs and essential plots for DC’s Fear State occur in the story. Ram V is trying to kill three birds with one stone: taking out the corrupt heart of Alleytown, continuing the Father Valley arc, and setting up Alleytown to be invaded by the Magistrate heading into Fear State. In a sense, not one goal is accomplished well, and yet the book still succeeds. [Read more…] about Infinite Frontier: Catwoman – Valley of the Shadow of Death Review!