A Comic Book Reading Order Guide For Beginners & Fans
I had the wonderful experience of interviewing Jeff Smith, creator of Bone
But since some people prefer the ancient art of “reading,” we’ve also transcribed the Bone portion of the interview below, including a surprisingly candid assessment from Smith on Netflix’s cancellation of the Bone animated series. The transcription has been slightly edited for clarity. Read and enjoy! [Read more…] about Jeff Smith “Bone” Interview!
I joked recently on Twitter about the absurdity of the worst voices on the fringes of comic book media who have made their grift all about “the death of comics.” The culture war doomsaying is especially laughable when I look at the absolute dominance of comic books in entertainment and pop culture. The shouty “comics are dying, we have to scream at marginalized groups until they are saved” crowd is a murky den of misinformation and misplaced rage, but like most topics these days, it’s also very much a *platformed” source of misinformation. So when comic fans – especially newcomers – are confused about the state of things, well, I can see why that might be!
Now, there are experts in the field much better suited to tell you about the state of comic book sales over the past decade, and moving forward. I highly recommend John Jackson Miller with Comichron, and David Harper’s SKTCHD frequently compiles some of the most insightful digs into the subject. The long and short of analysis from these kinds of experts is that comics as a medium are booming, just not necessarily from the single issue floppy serial comics that have been the mediums pulp-in-trade since the 1930’s.
Nonetheless, questions about comics’ longevity remain, particularly in regards to whether the likes of the MCU actually drives comics readership. To answer this in my way, I turned to the one unique thing I have no one else does: Comic Book Herald’s analytics. [Read more…] about Do Marvel Movies (MCU) Lead To Actual Comic Book Readers?
The earth rotates on its axis every 24 hours, and makes a complete orbit around the sun every 23,934 hours (or ~365 days). This is rudimentary astronomy, yes, but the fact that we are perpetually spinning through space is a fact that came to shape my life more than I would have ever guessed.
The reason we don’t *feel* the Earth spinning is – amateur scientist alert! – the orbital speeds are constant. But imagine for a moment, that they were not. That every day, for perhaps 15 seconds, a sudden acceleration or deceleration occurred, so that you felt the Earth beneath you spin (ignore for a moment the Neil deGrasse Tyson voice in your brain telling you this would mean the planet would hurtle out of orbit!). And then those periods of acceleration began to grow. What once was an infrequent curiosity became at first daily, then hourly, then a seemingly never-ending occurrence.
From late 2015 through all of 2016, this was my reality. My world became a spinning nightmare from which I felt I could not escape. I was dizzy all the time. The sudden medical takeover of chronic dizziness was debilitating, physically, emotionally, and mentally. Without essential respites; some in the form of Marvel Comics, in family, and in the Chicago Cubs winning a World Series, I don’t know how I’d have made it through.
The earth’s rotation is constant. And nobody noticed but me. [Read more…] about My Secret Wars: Fighting Chronic Dizziness and Finding The Strength Not To Lose
The short term (as a concept) and the comics industry have had an incredibly complicated relationship throughout history. Short term pushes for short term gains, long-term losses from short-term bets, and short-term trends begetting long-term classics are just the tip of the iceberg. With short-term trends, especially ones with long-term consequences, there’s an inherent compulsion to categorize them as either “good” or “bad.” The post-Teenage Mutant Ninja Turtles black-and-white comics boom? Bad. Buying five copies of Youngblood to try and put your kids through college? Bad. The Ultimate Comics imprint? Depends on who you ask. But as I write this, the comics industry is in the midst of yet another trend, one whose far-reaching consequences are difficult to discern.
There’s been a recent jump in the number of comics — mainly indie comics — that can be categorized as “tokusatsu,” a genre commonly associated in the West with Japanese costumed heroes and gargantuan monsters. With this trend at play, some questions arise surrounding the usage of the aesthetics as well as the creators who are currently using them. Is this trend bad or good? Should it be categorized as bad or good? What is lacking from this trend? Whose voices aren’t being heard, and who is being left behind as a result of this trend? So many questions, and so few easy answers. But in trying to find an answer, I only found myself asking more questions about the relationship that Westerners have with tokusatsu. [Read more…] about When the White Ranger Leads: On Whiteness in the Tokusatsu-Comic Trend
Let’s say you’re writing a largely self-contained ongoing comic book title within a much larger shared universe. Let’s call your book… Sergeant USA! During most of your long-running story, Sarge’s lost his superhero identity and his place in the… Revengers. How do you mesh that with the universe’s continuity? Cleverly, at the start of your run you don’t allude to anything else going on in this comic universe, so that you can go on with your long-running story for as long as you like, and when you DO have to link back to the universe’s continuity you get to choose when all of it fits, start to finish. You can have your thirty-part, two-and-a-half years-running self-contained story while justifying Sarge’s absence from the Revengers in-between any two Revengers issues of your choosing, in retrospect. Damn you’re clever!
And then someone else comes along and messes with your simple but genius plan.
*Some spoilers for Sarge… Captain America and Avengers follow*
[Read more…] about What’s Going On with Marvel’s Avengers Continuity?