Comic Book Herald

A Comic Book Reading Order Guide For Beginners & Fans

Ritesh Babu

Pax Americana and The Infinite Loop Of Imperiums

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It is often said that Watchmen is the most influential comic ever to be released. That comics wouldn’t be where they are without it, for good and for ill. But how did we get here, exactly? More to the point, just what influence did Watchmen provide to the larger world of comics? What, ultimately, is the legacy of Watchmen? Who watched the Watchmen?

Rebirth hadn’t yet happened.

Doomsday Clock was not a thing.

Rorschach and the Watchmen TV show didn’t exist.

Only Before Watchmen did.

DC had only made one serious attempt to milk Watchmen and cash-in on it before. And it had bombed, big time. Nobody liked it or cared for it. It was over. They knew it. Everybody did.

And so there was that brief period of time- the quiet calm, the gap between the first big attempt and the next big attempt-wherein it felt like we could perhaps move forward from Watchmen nostalgia. Wherein we could get past it all. And if we were to engage with it, it wouldn’t be literally, by sequelizing it or using characters from it, but rather through the challenges it offered via its formal daring and political critique.

And so let us journey backwards, into that frozen moment, that small gap of time, where the prospect of creators reckoning with Watchmen held a spark of real intrigue.

Welcome to The Multiversity: Pax Americana #1.

A one-shot story utilizing the original Charlton characters upon whom the Watchmen characters were based, constructed for an all new post-Watchmen, post-9/11 world and climate.

Brought to us by the creative team of Grant Morrison, Frank Quitely, Nathan Fairbairn, and Rob Leigh.
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Grant Morrison’s Judge Dredd, Part III

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What on earth was Morrison’s take on Judge Dredd? And why is it something that seems to almost never come up when people talk about their work? Why is it almost buried and forgotten? What did they even try to do there?

We’ll explore that here, picking up where we left off….

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Grant Morrison’s Judge Dredd, Part II

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What on earth was Morrison’s take on Judge Dredd? And why is it something that seems to almost never come up when people talk about their work? Why is it almost buried and forgotten? What did they even try to do there?

We’ll explore that here, picking up where we left off….

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Grant Morrison’s Judge Dredd, Part I

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Grant Morrison has done pretty much everything. In a career spanning 4 decades, starting from their late teens into their now early-sixties, Morrison has trekked across most of the Western comics landscape. They’ve done a great deal of work, both big and small. Whether it be redefining major flagships like The X-Men or Batman in Big Two superheroes,  helping pioneer the Vertigo weirdness with The Invisibles and The Filth, or being part of the wave of new creator-owned books of Image and Boom in the early 2010s with Nameless and Klaus, they’ve been around and done it. They’ve done Original Graphic Novels, they’ve done mini-series, they’ve done maxi-series, they’ve done one-shots, and lengthy ongoing series, and they’ve even done zines. They were a Musician, with much music of their own, they’ve performed with Gerard Way in MCR Music Videos like Na Na Na and SING. They were even a comics critic and columnist back in the day. And now they work in Hollywood as a screenwriter, as they have done for over a decade now.

Much has been, and continues to be, said about their work.

And yet there is a gap.

There is an odd little gap.

A gap that exists not because nobody’s noticed it, but because it is seen and then brushed past.

Grant Morrison’s Judge Dredd.

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Who Watched the Watchmen? Watchmen and The Darkness Within

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There is a great lie about Watchmen.

They repeat the lie over and over again, pretending it says a lot, when it says very little. It is not a lie of malice, but a lie of ignorance. It is a lie predicated on omission of truth. It is a lie that only emerges when one understands history. It is a meaningless statement presented as meaningful to those who don’t know better.

It is the first lie of American comics that every new reader is confronted with, when surveying the scene of the superhero.

And it is a lie that holds, despite everything else.

The lie is this: [Read more…] about Who Watched the Watchmen? Watchmen and The Darkness Within