Marvel comics of 1990. Enter Cable & Gambit! Cross Time Caper Concludes! Finally!
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A Comic Book Reading Order Guide For Beginners & Fans
Marvel comics of 1990. Enter Cable & Gambit! Cross Time Caper Concludes! Finally!
Podcast: Play in new window | Download

Created by Brian Michael Bendis and Mike Deodato in the lead-up to Civil War II, Riri Williams is a 15-year-old child genius from Chicago who builds her own Iron Man-type armor and soon finds herself taking over Tony Stark’s mantle.
In recent stories, particularly Eve Ewing’s solo series, Ironheart has started to step outside of Iron Man’s shadow and into a spotlight all her own, whether as a member of the teen hero group, the Champions, or on her own adventures taking her as far from Chicago as Latveria, and recently, Wakanda. [Read more…] about Ironheart (Riri Williams) Reading Order!
A character with a 60-year history set in a multiverse will see countless alternative versions created to support the story creatively and/or commercially. The ability to take an already successful character and make fundamental changes without impacting the original character is a valuable tool. The Hulk is no stranger to this idea and this has allowed the character to be taken to unique places. We have seen a “Nerd Hulk”, a “Punk Hulk”, Worlds where Hulk and Banner have been successfully separated, and whatever the hell Ultimate Hulk was trying to accomplish.
The Maestro stands apart from the other variations and has created his own gamma footprint in the Marvel Universe. The Maestro is the nightmare future scenario where a Post-Apocalyptic Hulk and Banner live as one with Banner’s intelligence and the Hulk’s strength aligned, and a malevolent dictator forged. [Read more…] about The Maestro (Future Hulk) Reading Order!
Earth One Box SetMichael Straczynsk • Shane Davis • Ardian Syaf
Geoff Johns • Gary Frank
Grant Morrison • Yanick Paquette • Nathan Fairbairn • Todd Klein
By 2010, Marvel was deep into its Ultimates Universe, their alternate universe for experimenting with modernizing their heroes and taking big swings. By the same token, DC was mostly past the failure of its All-Star line, which attempted the same approach and met some success, but ultimately never coalesced into a cohesive vision the way Ultimates had.
Earth One is an attempt at replicating the first and fixing the second. Like Ultimates, the line focuses on retelling the origins of popular superheroes now recast in the 21st century. And like All-Star, it tries to do that by giving DC’s top talent a ton of freedom.
“The Department of Truth” #4 variant cover (2020) by Tradd Moore, after “The First Tribute to Columbus” by José Garnelo y Alda (1892) and “Fireside Angel” by Max Ernst (1937). “The Department of Truth” is by James Tynion IV and Martin Simmonds.

Drawing from two historical paintings, Tradd Moore’s scene of the first encounter between Europeans and indigenous Lucayans, includes “the woman in red” as well as a massive thought-form emanating from the Christian cross. This serves to instantly extend the historical reach of Tynion’s lore about the exchange and dominance of ideas, while being in-itself, a commentary about the inherent malicious nature of religious colonialism being a mode of fascism. More than merely an homage to how the artistic form of surrealism confronts fascism, Moore employs his distinct style, presenting a brilliant, memorable, and stunning work of art. Appearing to the public as a variant cover for “The Department of Truth,” the message encoded within the art can be easily glossed over, or may simply go unseen by many because it gets pushed back in the stack of monthly additions or added to back issue bins, but it begs to be held and reconsidered deeply. [Read more…] about Confronting Fascism with Surrealism: Tradd Moore’s Variant Cover for “The Department of Truth Number” #4