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The Evolution of Marvel Cosmic, Pt 2: Molecule Man, Skrulls & Inhumans!
[covers drawn by Jack Kirby; respectively inked by George Roussos, Joe Sinnott and Chic Stone]
Find part of our Evolution of Marvel Cosmic series here!
There’s no doubt that with the arrival of Galactus eager to feast upon our Earthly life energies or whatever in Fantastic Four #48-50, Stan Lee and, in particular, Jack Kirby finally opened up a whole new vista of storytelling within the nascent Marvel Universe. The invigorating potential for Kirby’s genius particularly unlocked not just the best Fantastic Four stories to come but also the King’s streak of cosmic epics in Thor, which maybe wouldn’t be surprising to Thor readers of the past decade. These two early titles are really where, post-FF #48, virtually everything about what we think of as Marvel Cosmic was first conceived.
The only major cosmic players to appear almost fully realized before Galactus were the Watcher and Super-Skrull. The Skrulls themselves, however, Stan and Jack weren’t quite sure how to depict, although their subsequent appearances over the first few years after their debut in FF #2 were far in advance of their original almost embarrassingly goofy conception. If not for their useful native shape-shifting abilities, they would’ve certainly gone the way of the vast majority of Marvel’s early one-off alien species.
Instead of the typical ignominious fate of many an early Marvel alien species, the Skrulls returned with increasingly sophisticated visual embellishment courtesy of Jack Kirby as he was really coming into his own as the King of this fledgling medium. [Read more…] about The Evolution of Marvel Cosmic, Pt 2: Molecule Man, Skrulls & Inhumans!
Inferno: The X-Men’s Empire, Destroyed
That’s the real war, isn’t it? Ensuring you’re on the winning side?
After decades of struggle, the Mutant race has achieved utopia, and built an empire that spans the galaxy. Together, they have transcended scarcity, disease, and death itself. But what is the true cost of this paradise? And what becomes of it when the many secrets, compromises, and hidden agendas that built it are finally brought into the light?
Brought to life by Valerio Schiti, Stefano Caselli, David Curiel, RB Silva, and Tom Muller, 2022’s Inferno is so much more than a crossover. It’s the ending to a saga that writer Jonathan Hickman began in the pages of House of X and Powers of X, transforming the X-Men, their world, and the Mutant metaphor behind it all. While the “Krakoan era” would encompass every title and creative team on the x-line of comics it would all be in service of Hickman’s vision for the title, uniting Mutants, both good and evil, in a desperate mission to stave off extinction and build a sanctuary for the species.
“I think what happened after Grant and Frank did their thing is that you got that version of the X-Men and then there’s been this nostalgic version of the X-Men…Playing the old hits kind of stuff,” muses the writer. “And those two things have been fighting with each other, probably since that run. You don’t want to do archaeology or nostalgia tropes. My job is to do new stuff with it, and launch us into a newer age of X-Men.”
As each new corner of this sanctuary is explored, Hickman and his collaborators craft a larger picture across the line, putting the nation of Krakoa on a path that would end in its ultimate reckoning. While a number of factors influenced the event’s production, including top-down editorial decisions from Marvel Comics and input from the other creatives on the line, Inferno is the definitive end of Hickman’s vision for the X-Men, as countless threats spark back into being, threatening to burn down everything the Mutants have built. After years of storytelling, Inferno delivers what would become Hickman’s legacy for X-Men: one last trial by fire for the Mutant race.
*SPOILERS AHEAD*
The Adventures of Obi-Wan Kenobi
Obi-Wan Kenobi, the new Disney+ series, represents the first time the character has been in the cinematic spotlight by himself. But the vast tableau of Star Wars stories across multiple modes of media contains many previous examples in which the wise and cagey Jedi operates on his own. Below is an overview of some of the more notable offerings – both canonical and non-canonical “Legends” – as well as some Obi-Wan Kenobi fun facts, to get you ready for the new live-action series!
Who Watched the Watchmen? Countdown to Final Crisis
It is often said that Watchmen
Duela Dent is dead and the Multiverse… actually doesn’t care that much. In the aftermath of the fiscally successful and critically-acclaimed 52, DC launched Countdown to Final Crisis, which is, well, less fondly remembered, to put it kindly. As its title might imply, it was attempting to build hype for the then-pending Final Crisis. This weekly series followed much the same format as 52 by juggling an enormous cast of lesser-known characters, but went overboard on pointless cameos and mostly forgot to include the parts where the story would be relevant to the events it was leading into.
To say Countdown was a hugely ambitious project is no exaggeration, so where did it go wrong? Well, following up the admittedly loose but still exciting and energy of 52 with a comparatively uninspired but equally long series to keep the fiscal ball rolling set it up to fail from day one. Another one of its biggest mistakes is the act of invoking Watchmen’s plot points, imagery, and themes. Regardless of your overall feelings on Watchmen, it had a meticulously written script in which a number of story and character beats dance more or less seamlessly with the larger plot. If you’re going to call attention to the series, you’ve got to run a tight ship or you’re setting yourself up to come across as a cheap imitation. Yet even a lot of cheap imitations are more charming than Countdown turned out to be. [Read more…] about Who Watched the Watchmen? Countdown to Final Crisis