The Old 52 is not a series examining Grant Morrison’s seminal Batman run. If I were writing about Batman Inc. (Vol. 2) for such a series, I wouldn’t hesitate to praise it to the stars. The end of Morrison’s monolithic run was characterized by consistently astonishing artwork from Chris Burnham, Morrison’s typically playful and inventive profusion of ideas, and excellent characterization of each of the lead characters. I’ve previously argued that it’s a fitting end to one of the greatest superhero stories ever told and that it’s due for a critical reappraisal.
This begs the question, of course, why it received such a lackluster reception at the time. It wasn’t necessarily that critics or fans thought that it was bad, per se. It’s more accurate to say that Morrison’s ending felt spoiled, both in a literal sense (which we’ll get to), and in the sense that the disdain DC editorial held the comic in was so obvious that it felt self-evident that the events of the series weren’t what Morrison had originally intended. Reading it on a monthly basis was an ambivalent experience; Morrison’s vision of a Bat-story drawing upon the character’s entire history had already been hopelessly compromised by DC’s baffling new line-wide continuity demands, and readers watched in horror as the situation was exacerbated by the publisher’s willingness to permanently compromise the story’s effectiveness in exchange for momentary publicity gains.
Even though Batman Inc. is a relatively special case within the New 52 — the only other series that was a direct continuation of a pre-reboot run was Geoff Johns’s Green Lantern. Its demoralizing publication history ironically makes it a perfect case study through which to examine the staggering editorial mismanagement that hobbled the entire initiative. So, instead of a critical deep-dive into the themes Morrison & Burnham explore through the series, this article will tell the story of one of DC’s most colossal failures over the five-year history of the New 52. [Read more…] about The Old 52: Batman Incorporated Pt. 1
(the final issue would be taken over by frequent collaborator, James Tynion IV). This 51 issue epic exploring the Dark Knight, the history of Gotham, and the inexplicability of the Joker ran the gambit of genres from post-apocalyptic nightmare to detective story. But at its heart was the story of Bruce Wayne and his impact on Gotham City. What follows is a retrospective of the run that highlights what it was, for good and ill.
universe, in which he (and many, many artists) created a reimagining of the DC Universe by feeding Lee a basic premise and letting him go his own weird direction with the idea.
at some point). Still, most things Lee was ever even remotely involved in are being recollected today, and so we’ve got a two-part trade that collects these wacky, wacky stories. We’re talking about the second volume of 
here.