A Comic Book Reading Order Guide For Beginners & Fans
Note: I had initially assumed this would be a relatively tight piece, reflecting the pace of blockbuster action. Hah! There’s a lot going on in HOX 4. But for you, dear reader, I’ve uncovered inchoate revelations and tantalizing doubts that will surely sustain your anxieties well into the Dawn of X and beyond. Don’t forget to stay hydrated!
[Read more…] about How to (Re)Read the Hickman Era of X-Men: House of X #3, Pt. 2, House of X #4
In the early 1990s, John Byrne took over the Avengers. The franchise has never recovered. The run’s negative effects were even more pronounced immediately afterwards, as the franchise couldn’t string 10 good issues together for years. This all culminated in “Onslaught,” a story that served to take the Avengers away from the Marvel Universe and toss them into the much-rather-forgotten Heroes Reborn universe. For a lot of reasons, this entire era of Avengers feels like the franchise is circling the drain, until finally, mercifully, they’re put to rest. I don’t think anyone could have expected what ended up happening next.
After “Onslaught,” pretty much all the premiere heroes of the Marvel Universe were gone. The X-Men and Spider-Man were still around, obviously, but in-story they were far from being beloved like the Avengers or Fantastic Four. Obviously, in this clear vacuum of superheroism, some new blood will get the chance to shine. And that’s what happened with the New Warriors – with the Avengers and Fantastic Four gone, the New Warriors became a premiere team in their own right in-universe. But the more interesting group of newcomers, the one that really felt new, were the Thunderbolts. All-new heroes, banding together to fill the void left by the Avengers, saving people in the face of threats greater than any one hero can fight – it’s almost too good to be true!
That’s because it is.
It’s almost impossible to talk about Thunderbolts as a property, especially early Thunderbolts, without spoiling the twist, so I’m going to issue a big official warning here – if you don’t know the big revelation that happens fairly early on in Thunderbolts, and if you would rather remain unspoiled, stop reading here. We’re about to get into it. [Read more…] about Thunderbolts by Kurt Busiek and Mark Bagley Omnibus Review!
Apart from various special projects like X-Men Legends
For generations, Steve Rogers, and several others, have stood as an example of an American ideal, charging into battle decked out in the red, white, and blue.
And when Joe Simon and Jack Kirby created Captain America in 1941, it was to be as a symbol of America’s best qualities in the face of Hitler’s expanding Nazi empire, even before the United States became officially involved in World War II. But to have a character draped in the colors of a nation is to permanently tie that hero to the real world. In a time when the United States fought against true evil, it was easy for the morals and message of Captain America to be clear cut and inspirational. But what happens when that character is pulled into the modern era and a time of grey morality and murky politics? [Read more…] about When Captain America Quits: The History and Meaning of a Super Soldier’s Protest
He didn’t even want the book, but to hear him tell it, Brian Azzarello saved the Wonder Woman New 52 series
At its core, this Wonder Woman series was a family drama. It worked because the creative team made the family a central part of the story. In fact, Wonder Woman doesn’t even show up until ten pages into the first issue because Azzarello and artist Cliff Chiang devoted that space to the conflict surrounding a few important family members: Zola, a mortal impregnated by Zeus, and Sun, a god whose powers include clairvoyance. Aside from Orion, there weren’t any major characters in the series’ first 24 issues that weren’t part of the family. [Read more…] about The Old 52: Playing God in Wonder Woman