A Comic Book Reading Order Guide For Beginners & Fans
What on earth was Morrison’s take on Judge Dredd? And why is it something that seems to almost never come up when people talk about their work? Why is it almost buried and forgotten? What did they even try to do there?
We’ll explore that here, picking up where we left off….
What on earth was Morrison’s take on Judge Dredd? And why is it something that seems to almost never come up when people talk about their work? Why is it almost buried and forgotten? What did they even try to do there?
We’ll explore that here, picking up where we left off….
Grant Morrison has done pretty much everything. In a career spanning 4 decades, starting from their late teens into their now early-sixties, Morrison has trekked across most of the Western comics landscape. They’ve done a great deal of work, both big and small. Whether it be redefining major flagships like The X-Men or Batman in Big Two superheroes, helping pioneer the Vertigo weirdness with The Invisibles and The Filth, or being part of the wave of new creator-owned books of Image and Boom in the early 2010s with Nameless and Klaus, they’ve been around and done it. They’ve done Original Graphic Novels, they’ve done mini-series, they’ve done maxi-series, they’ve done one-shots, and lengthy ongoing series, and they’ve even done zines. They were a Musician, with much music of their own, they’ve performed with Gerard Way in MCR Music Videos like Na Na Na and SING. They were even a comics critic and columnist back in the day. And now they work in Hollywood as a screenwriter, as they have done for over a decade now.
Much has been, and continues to be, said about their work.
And yet there is a gap.
There is an odd little gap.
A gap that exists not because nobody’s noticed it, but because it is seen and then brushed past.
Grant Morrison’s Judge Dredd.
Storm & the Brotherhood #1 is an exciting start to the trio of three-issue miniseries that will form the core of the “Sins of Sinister” event. Of course, overall the story here isn’t a radical departure from the prologue, Sins of Sinister #1, which covered a lot of groundwork in its double-size format. Still, it’s beautifully told, and there are surprise twists by the end. Judging from this issue, we can expect the other #1’s will also establish the Year 10+ status quo for this Sinister-dominated future before giving us a twisty cliffhanger leading us to a ninety-year jump—and then skipping on 900 years for the final issues. This is going to be heady stuff.
“Storm’s Seven” (echoes of Ocean’s Eleven)
Credits: Al Ewing writes; Paco Medina draws; Jay David Ramos colors; Ariana Maher letters; design by Tom Muller with Jay Bowen; cover by Leinil Francis Yu and Sunny Gho
Impressively, the amazingly talented Paco Medina (regular artist on Al Ewing’s New Avengers, 2014) has drawn each of the mini’s #1’s—so the visuals for Year 10+ will be consistent. This is unique for an event, but already the event’s very structure is highly original, mirroring the timeline format of Hickman’s Powers of X but with a fun-house-mirror twist, for this is a radically different but instantly recognizable future timeline.
One element of instant recognition for you “Age of Apocalypse” fans out there is Sugar Man, whom we already saw in Sins of Sinister #1; Storm & the Brotherhood starts with the same scene, the destruction of Arakko/Mars (by Sinister’s forces), now drawn in Paco Medina’s chic dynamic style, rather than Caselli’s. Recall that this atrocity was five years into the Sinister-dominated future…
Another five years on, so +10 Years from the present Earth-616, Storm and her Brotherhood are off to break into Sinister’s lab beneath Moira’s Muir Island complex, with the aid of Destiny and Mystique… SPOILERS WILL FOLLOW.
[Read more…] about Sins of Sinister, Part 2: Storm & the Brotherhood of Mutants #1—in Review!
There is a great lie about Watchmen.
They repeat the lie over and over again, pretending it says a lot, when it says very little. It is not a lie of malice, but a lie of ignorance. It is a lie predicated on omission of truth. It is a lie that only emerges when one understands history. It is a meaningless statement presented as meaningful to those who don’t know better.
It is the first lie of American comics that every new reader is confronted with, when surveying the scene of the superhero.
And it is a lie that holds, despite everything else.
The lie is this: [Read more…] about Who Watched the Watchmen? Watchmen and The Darkness Within