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Creannotators #51: “New Mutants” with Artist Rod Reis!

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This week on Creannotators, I talk with New Mutants artist Rod Reis on a special Creannotators/Krakin’ Krakoa crossover! We talk all things Krakoa, differences working with writers like Jonathan Hickman and Vita Ayala, and what’s to come from the Shadow King!

On Comic Book Herald’s ‘Creannotators’ I’ll be interviewing some of my favorite creators in comics about specific runs, graphic novels or series, looking for their insights on the inspirations behind the work and ideas or hidden material readers may have missed. Creannotators is an audio annotative guide to enjoying the intricacies and thinking in the art. Thanks for listening, and enjoy the comics!

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History of the Time Variance Authority & Time Keepers

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Marvel’s Time Variance Authority – now stars of Loki in the Marvel Cinematic Universe’s TV series on Disney+ – is a combination of parody, inside editorial jokes, and somehow also tremendous power in the Marvel Comics universe. Operating in “null-time,” The TVA are literal continuity cops, sending their agents to disrupt anyone messing with the timestream, and returning them to the familiar banality of paperwork and office life that is maintaining all of time!

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Loki on Disney Plus: Episode One Review & Theories!

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Following up on the hype-machine success of WandaVision, and the muddled reactions to SamCap and the Winter Soldier, Marvel’s Disney+ TV continues with 2021’s Loki, starring Tom Hiddleston. Loki picks up directly after 2012-Loki uses the cosmic cube in Avengers: Endgame, and escapes during the Avengers Time-Heist.

There’s a fair amount riding on Loki, as the MCU tries to cement their place as the essential big and small screen pop culture experience. We dig into the first episode of the six episode series, and talk all things gods of mischief, Time Variance Authority, and what the role of Loki might be in the MCU from here! [Read more…] about Loki on Disney Plus: Episode One Review & Theories!

Is the Nick Spencer Run on Amazing Spider-Man… Good?

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No.

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Though, in its defense, the main Amazing Spider-Man title hasn’t been consistently good since Peter Parker was possessed by the ghost of Doctor Octopus (though, even then, that run was hobbled by Dan Slott’s inclination towards mediocrity and continuity fetishism); and it hasn’t been consistently great since the ’90s. There are many reasons for this, from an inexplicable notion that Spider-Man is a character who has to function like a teenager (I blame John Byrne) to the far more understandable (if still depressing) notion that Peter Parker must be a straight white guy who suffers for our sins (I blame Sam Rami).

* Spoilers for the run to date follow *

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