In October 2012, Marvel rebranded their entire line of comics under the “Marvel Now” banner, an era that would effectively last for three years until 2015’s Secret Wars. It’s a fan favorite era of comics, under the editorial reign of Axel Alonso, with titles like Hawkeye, Superior Spider-Man, Thor: God of Thunder, and Jonathan Hickman’s Avengers among many others.
2022 marks the 10 year anniversary of Marvel Now, so at Comic Book Herald, we’ll be looking back at the best, most interesting, or just downright most confounding Marvel Now titles. This is “Marvel Then.”
Jason Aaron is a man obsessed with legacy. It’s hard to fault him for it because legacy is a quintessential part of being human. When we part from this world, what do we leave behind? Philosophers have spent centuries trying to determine the pathos behind it, but the act of wanting something (or even someone) to outlive you and propagate through time is intrinsic to the human experience.
But the legacy that Jason Aaron leaves behind today is a far cry from the legacy he was building up ten years ago, during the Marvel NOW! Era. Nowadays, it feels like a race between writers to leave their mark on the biggest intellectual property in the world, and at the forefront of that race is Jason Aaron, who currently claims nine hundred and four creations within the Marvel Universe alone. Going back to read the very beginning of his seven-year-long run on Thor after years of enduring his latest works feels refreshing, especially with the hindsight of an entire decade helping to colour my reread. [Read more…] about Marvel THEN! Thor: God of Thunder Review
with Mark Bagley and 
with Mike Allred and Laura Allred left this dynamic largely unchanged. The new premise of the books was the Fantastic Four with their children Franklin and Valeria departing the universe for a road trip that would last only four minutes in real time, though for those four minutes they each pick a member for a temporary Fantastic Four to guard the universe in case things go wrong. This of course being comics, things go wrong. But more importantly, it’s a story about rebuilding when you’ve lost everything and how lasting relationships can be forged even in tragedy. 